-Journal of Creative Communications
Video advertising in the United States is estimated to grow from USD$35.45 billion in 2020 to USD$69.43 billion in 2024 (eMarketer.com, 2020). Video advertising is particularly effective among 16–24-year-olds (70%) and 25–34-year-olds (64%) who have watched some types of social media videos in the past month (Williamson, 2019).
Because of its popularity, 24% of marketers in North America have
invested in brand storytelling videos (HubSpot,
2020). In terms of delivering branded contents, video storytelling
advertising is very similar to narrative advertising that has been popular
since 1998 (Bacon,
2013; Brechman
& Purvis, 2015; Chang,
2008; Chiu et
al., 2012; Escalas,
1998; Lien
& Chen, 2013). Both formats enable advertisers to use drama ads, slice
of life ads and transformational ads (Escalas,
2004) to tell a brand story. This advertising format has the benefit of
conveying an emotional appeal about a brand, in particular, when consumers are
transported into the narratives in the ad to facilitate brand attitude changes
(Brechman
& Purvis, 2015) and word-of-mouth communication (Langaro
et al., 2019). However, unlike narrative ads in traditional television or
print media platforms, video storytelling advertising relies on connected
television, desktop and laptop, and mobile platforms (eMarketer.com,
2020).
Given its growing importance in the
digital advertising industry, scholars have applied narrative advertising
theories to study video storytelling advertising (Chen
& Chang, 2017).
In this study, we use video
storytelling and narrative advertising interchangeably because both perform the
same function to convey ‘the core message by telling a [brand] story’ (Escalas,
1998, cited in Lien
& Chen, 2013, p. 517) and to create a connection ‘between brands in an
ad story and the achievement of self-related goals’ (Escalas,
2004, p. 168).
A brand story also makes consumers
feel that the brand resonates with their own personal life to create better
engagement (Kim et
al., 2016). Its fidelity and narrative probability also make a brand story
ad believable (Lim &
Puspita, 2020).
A successful video storytelling
advertising campaign can cause ‘brand energy; capable of brand differentiation.
A strong and valuable brand also contributes to its growth in the age of a
global coronavirus pandemic (Kantar,
2020).
Existing research has generally
confirmed that a narrative advertising campaign can generate better persuasion
results (Lien
& Chen, 2013). Past studies examined this phenomenon by studying
consumer’s information processing of video storytelling elements (such as
music, humour or spokespersons) and product features, or mediating mechanisms
(such as ad-induced feelings, narrative transportation and self-brand connections—SBCs)
(Lien
& Chen, 2013).
Duration, flow, frequency and
relevance of video storytelling ads were also found to predict retention of ad
messages (Dhote
& Kumar, 2019). Brechman and Purvis (2015)
further examined whether brand narratives can stimulate consumers’ attitude changes
after being transported into a fictitious world. Their study concluded that the
effectiveness of narrative advertising also depends on consumers’ receptivity
to narrative advertising.
.
.
.
The a strong and valuable brand also contributes to its growth in the age of a global coronavirus pandemic.
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